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The Texas Philistines live at the Black Cat

The Texas Philistines

One fateful day Bourland was looking in the Austin Chronicle's musician's referral when he happened upon an ad looking for a cowpunk guitar player. He thought to himself, "Hey, that's me!" Bourland auditioned and it was his infamous blano-nano-la-now riff that got him the job with The Texas Philistines. The Texas Philistines were one of Paul Crosby's many brain children. Paul is one of those big brained folks. He's a creative machine. The best writer Bourland have ever known. The Texas Philistines recorded a CD called Honky-tonk Sabbath, Bourland got a great write up in the Austin Chronicle for his Growler guitar effect and then BAM! he was fired.

The Texas Philistines

The Texas Philistines were originally formed in Gatesville, Texas by Paul Crosby, Clint Caldwell, Riley Claborn and John Davidson. When Riley up and joined the military without so much as a note to the other guys, Paul and Clint took matters in their own hands. They moved to Austin and recruited Bourland. Bourland played with the band for about a year as a 3 piece (Bourland-guitar, Clint Caldwell-drums, Paul Crosby-bass) and recorded the album Honky-tonk Sabbath, in Mark Maynard's home studio. Since Clint was a talented guitar player in his own right, Bourland convinced the band to bring Mark Maynard in on drums and move Clint to guitar. The band was a regular fixture on 6th Street, taking up residency at the Bates Motel.

The Texas Philistines played a few shows at the famous Black Cat Lounge, but Paul Sessums only liked three of their songs. Now he liked those three songs a lot and always treated Bourland well, mind you, but decided The Texas Philistines were not Black Cat ready. He gave Bourland some good advice, though. He said "Bourland, you go write a bunch more songs like that one (referring to Breaker Breaker Jesus) and you can play here anytime." Well the problem with that advice was Bourland did not do the writing in The Texas Philistines and those that did were not about to subject their creative energies to whims of Paul Sessums. This is how the band ended up at the Bates Motel instead of the Black Cat Lounge. As fate would have it, Bourland has gone on to follow the advice of Paul Sessums. You can still hear Bourland performing Blano-nano-la-now/Breaker Breaker Jesus around the clubs of Austin.  Anyhoo, as is often the case with bands, there were creative differences. Basically, Bourland wanted to take Paul Sessums advice, the other  guys didn't. Bourland got fired, but not before being video taped on Virtual Noise. So here for the first time in 10 years are videos from one of Bourland's last performances with The Texas Philistines. Interestingly enough, Mark Maynard decided to stay with the band.

Bourland and The Texas Philistines
Live Performance On Austin Cable Vision's Virtual Noise: April 1995
Another interesting note is that all of Bourland's guitar effects, including his invention The Growler, were stolen out of Bourland's truck two days before the Virtual Noise show. Bourland spent one day and a sleepless night acquiring all the necessary components and building a new Growler. This did not bode well for his performance, but what the heck, it's all water under the bridge now.

Cheers,
Bourland